This is a new joint from Usher's upcoming new album.It's mild-tempo jam.It's comfy enough to listen to but nothing spectacular. Polow did an nice job rapping on it.He cuts the flow all right and almost makes you feel he's outshining Usher.Usher sounds like a man quite self content,sleezy,and ain't got a thing to prove.Totally unemotional.It's the song to skip if he puts the sh!t on his new album,if he puts out as a single,that's gonna be career suicide.
This song only adds to my disdain towards T-Pain.Jigga'd jump at any chance to rape my ears.Chris Brown wants to carry on cashing on the winning formula tested by "run it" and plus catch the now super radio-friendly T-Pain train.This childish fandango merely is Chris's desperate attempt to hijack airwaves after "wall to wall"'s miserable failure.The beats are annoyingly sleezy and sillily lovey dovey.Chris Brown doesn't want to make a statement here about how progressed and evolved he is since last album.He just tries to be a male version of Beyonce.He just tries to make a record to get his girlie fans shake their booties while bored of school and homework.But hey those smitten shawties will shake their booties to pretty much anything Chris Brown belts out.But if I got a daughter,I'd rather let her listen to Chris than Usher,cause this kid is as clean as clean can be even though most of his sh!ts are brainlessly meaningless.But that's what kids need nowadays since everything else is so damn naughty.
Thank GOD,TV commercial has saved us another major Pop sensation.Sara Bareilles was literally anonymous until Rhapsody and Tivo features the snappy "Love Song".Unlike other female piano-playing singer-songwriters,Sara's ingratiating voice is outstandingly emotional charged and infectious.The song kicks off with A powerful Fiona-Apple-like Piano chords,Sara's sensitive and breezy voice cuts right in and grab my otherwise self-indulging attention.I am amazed by how catchy the chorus and feel invited to sing along.Her lyrics is heart-felt and declares a strong will to keep one's individuality while in the dilemma of a relationship.The piano base progresses aggressively with the empowered emotion.Within the haunting sound,I am slightly caught in between scatting reminiscent of Jason Mraz, sexy pulsing beats that reminded me of Maroon 5,and a little bit edgy John Mayer.All these dwell on the genie that is Sara Bareilles.It is so overwhelming that I was having a proper pop hard-on.
Just when we thought Snoop Dogg has bankrupted his outta-steam rap career,he shows up his true color of a shameless hustler by reinventing himself as a reality tv pimp.But we not even talk about this most desperate attempt to hang on to his discounted fame and fortune,we'll talk about how he did himself a bit T-Pain Munching and boy what a genius maneuver that is.We all know how T-Pain has been haunting the top of the charts like 4ever.It's like whoever got himself a bit T-Pain will cash himself a fat lunch ticket.Wise man says "don't fcuk with winning formula,suck it.".That's exactly what Snoop did with "Sensual Seduction".Don't get me wrong here.I think Snoop's handling vocoder is way hotter than crunk-a$$ T-Pain.The hook is addictive and is a song you can play over and over while love-making.Snoop gets you right into the mood.Jigga is talking the talk here:he's gonna keep on giving until the shawty has enough jam in the session.He's goona handle this piece of action with sensual eruption and gentleman's attitude.Count yourself lucky when you get down to Snoop's R&B misconception,golddigger and Jam sucker!
After declaring he is suicidal wus to "Beautiful Girl",Sean Kingston comes up with this gangster loving "Take You There".But I won't think of him less of a pvssy.Anyhow,this tune is a banger.The beat is tight and light-hearted,swifting mingling soulful dance rhyme and R&B sugary.The lyrics sounds like a fun ride:he's shamelessly bragging about what a G he is in the ghetto to a beautiful shawty,which is annoying but hey hey that's how you pull birds.The only set back is his jamaican accent sucks.Fat boy should be grounded for two days to listen to Bob Marley or Shaggy.
After 3 overplayed no. 1 singles,I thought this chunky bird will go back to her much needed hibernation.She's coming out to haunt me again with this annoyingly silly "Clumsy".I can't believe they sampled Little Richard’s “The Girl Can’t Help It” to create a helplessly lovesickness.Fergie mumbles how much she's in love like a brainless 5 years old.She breathes so heavily that you'd thought she just finished an erotic weekend.Casio keyboard synthesizers flow alongside computerized beeps so sillily that you wonder what's all these gameboy sounds about.Why this song is high on chart and all over radio is beyond me.Are people having too much brain sells to kill?
This time Rihanna stepped on Michael Jackson's contaminated pop legacy to launch her another assault on Pop Charts with "Don't Stop The Music".The inclusion of Michael Jackson's classic "Ma ma se, ma ma sa, ma ma coo sa" from "Wanna Be Startin' Somethin'" is actually quite a minor stroke of genius. On top of that,This song is pumped up with big fat euro-house beats.Rihanna's sometimes thin vocals are also mixed for optimum room filling sound and will encourage you to sing along.This song probably goes down well in gay clubs cause straight American won't give a fudge about house music.We dance to 50 cent.
Before "Apologize",One Republic's career is so dark that the only thing they can do is to fap about it on myspace.But Timbaland has given them a huge hit with his remix of "Apologize," and a fine hit it is, too: a compellingly incongruous teen-romance melodrama, cutting Ryan Tedder's bland vocals with a stuttering R&B drum loop. The hit is so fine that it has sold two million copies in States alone.But don't be tripped to buy their album though cause apart from the single the album itself is absolutely crap.The half-loud guitars and sob-in-the-throat vocals are so self-indulged throughout the album that The Colorado band, longtime music-biz chancers sounds almost like an aggressively ordinary Audrina/arena rock combo, combining the least distinctive traits of the Fray, Matchbox Twenty, Nickelback or (to be charitable) Coldplay. Tedder emotes about girls in quizzical plaints like "Mercy" and "Tyrant" ("Capable of most anything/This crippled bird's gonna sing"). From the CD booklet, it seems like the band members are devoutly religious, so maybe they should sing about God instead of girls, which would definitely be more interesting.
Chris Brown makes countless young fans swoon, but, until now, he has not yet released a top-notch romantic performance. "With You" is that performance. The lyrics may be a bit simplistic in the "you're everything, you make me swoon" style, but this sound is a great one for staring into your lover's eyes as you make your way across a darkened dance floor. This is the first great wedding/prom song of 2008. The song instantly warms you up with with strumming guitar similar to another phenomenal successful Stargate production Beyonce's "Irreplaceable".Chris Brown smoothly cuts in the loop with a heart-pouring vocal performance. Chris Brown's singing voice is not, by any means, the strongest in the business, but the arrangement lets his romantic persona soar to its best advantage,sending this one out to "hearts all over the world tonight." This song allows Chris to swiftly break away from the teeny pop and appeal to a broader audience.Therefore it is none less than a monument to Chris Brown's glitering career. It's been a long stretch between Usher albums — long enough for Chris Brown to build a whole career, growing from a temporary substitute to an undeniably major pop star.Usher,you need to get back to the ring soon otherwise wanton fans will soon fold you up for good.
Pharrell has always been very experimental with N.E.R.D joints.This one is no exception.It doesn't sound like a regular hiphop number.He mainly uses acoustic instruments such as horn,piano and even crude human yell to construct the beats.It sounds raw,rude,and intrusive at first.But slowly you'd be taken by this rakish party atheme.It makes you just wanna be chilling.You'd definitely smoke some dope with this one while your boo shaking booty with you.
Simon Cowell should really rethink his plan to invade America with his protege Leona Lewis,cause the market he's trying to tap into is the territory reserved for the one and only Alicia Keys.If Mariah and Whitney have a crown to pass on,the crown has never look so certain on Alicia Keys when she dropped the heart-wrenching "no one". She may have taken an age following up 2003's The Diary Of Alicia Keys, but she's finally pulled her finger out and if this single's anything to go by it's well worth the wait. For those that way inclined, she's also gone to the bother of filming a video where she rolls around half-naked on a beach. Which is nice. The song is a fluttering, piano-tinkling ballad - of the variety we've come to expect from Ms Keys - that manages to steer away from the warbling and vocal stretching that so many of her contemporaries (we're looking at you Christina!) insist on whacking in at the end of every chorus. The lyrics expose Keys' vulnerability and current loved-up status, while the tune is simplistic yet beautiful. In conclusion, this tune is cooler than an Eskimo's exposed nether regions and it's flippin' great to have Alicia fill the void only she can fill.
Alicia Keys - No One lyrics
I just want you close Where you can stay forever You can be sure That it will only get better You and me together Through the days and nights I dont worry cause Everythings gonna be alright People keep talking They can say what they like But all I know is everything's gonna be alright
No one no one no one Can get in the way of what I'm feeling No one no one no one Can get in the way of what I feel for you You you Can get in the way of what I feel for you
When the rain is pouring down And my heart is hurting You will always be around This I know for certain
You and me together Through the days and nights
I dont worry cause Everythings gonna be alright People keep talking They can say what they like But all I know is everything's gonna be alright
No one no one no one Can get in the way of what I'm feeling No one no one no one Can get in the way of what I feel for you You you Can get in the way of what I feel for you
I know some people search the world To find something like what we have I know people will try Try to divide Something so real So till the end of time Im telling you that
No one no one no one Can get in the way of what I'm feeling No one no one no one Can get in the way of what I feel for you Oh oh oh....
This is one of those songs that's just gonna make your booty shake like crazy,make girls go wild and winding on the dance floor,make you wanna update your ringtone with it.It's goona be overplayed by your local radio so much,you are just gonna want to smash that sh!t to pieces,you grow to hate T-Pain's annoying robot voice so much that you'd make his face your frying pan.But when you go to club to execute your charm,you'd wish a hot banger just like that to get lucky and get laid.
Flo-Rida Ft. T-Pain - Get Low
[Chorus:] Shawty had them Apple Bottom Jeans [Jeans] Boots with the fur [With the fur] The whole club was lookin at her She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
Them baggy sweat pants And the Reeboks with the straps [With the straps] She turned around and gave that big booty a smack [Ayy] She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
[Verse 1:] I ain’t never seen nuthin that’ll make me go, this crazy all night spendin my dough Had a million dollar vibe and a bottle to go Dem birthday cakes, they stole the show So sexual, she was flexible Professional, drinkin X and ooo Hold up wait a minute, do i see what I think I Whoa Did I think I seen shorty get low Ain’t the same when it’s up that close Make it rain, I’m makin it snow Work the pole, I got the bank roll Imma say that I prefer them no clothes I’m into that, I love women exposed She threw it back at me, I gave her more Cash ain’t a problem, I know where it goes
She had them
[Chorus:] Apple Bottom Jeans [Jeans] Boots with the fur [With the fur] The whole club was lookin at her She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
Them baggy sweat pants And the Reeboks with the straps [With the straps] She turned around and gave that big booty a smack [Ayy] She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
[Verse 2:] Hey Shawty what I gotta do to get you home My jeans full of gwap And they ready for Shones Cadillacs Maybachs for the sexy grown Patrone on the rocks that’ll make you moan
One stack (come on) Two stacks (come on) Three stacks (come on, now that’s three grand) What you think I’m playin baby girl
I’m the man, I’ll bend the rubber bands
That’s what I told her, her legs on my shoulder I knew it was ova, that Henny and Cola Got me like a Soldier She ready for Rover, I couldn’t control her So lucky oo me, I was just like a clover Shorty was hot like a toaster Sorry but I had to fold her, Like a pornography poster She showed her
[Chorus:] Apple Bottom Jeans [Jeans] Boots with the fur [With the fur] The whole club was lookin at her She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
Them baggy sweat pants And the Reeboks with the straps [With the straps] She turned around and gave that big booty a smack [Ayy] She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
[Verse 3:] Whoa Shawty Yea she was worth the money Lil mama took my cash, and I ain’t want it back, The way she bit that rag, got her them paper stacks, Tattoo of above ‘er crack, I had to handle that,
I was on it, sexy woman, let me shownin They be want it two in the mornin I’m zonin in them rosay bottles foamin She wouldn’t stop, made it drop Shorty did that pop and lock, Had to break her off that gwap Gah it was fly just like my glock
[Chorus:] Apple Bottom Jeans [Jeans] Boots with the fur [With the fur] The whole club was lookin at her She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
Them baggy sweat pants And the Reeboks with the straps [With the straps] She turned around and gave that big booty a smack [Ayy] She hit the flo [She hit the flo] Next thing you know Shawty got low low low low low low low low
My favorite home girl Keyshia Cole just releases her new music video for 'I Remember'. The song is one of my favorite. It's moody and catchy. But what's wrong with people over at Interscope? You lots ain't got no money to shot a proper video for one of your hottest platinum artists? The whole video looks lame and cheap. It looks like some homemade Youtube production done in some messy bedroom. How can you let Keyshia Cole's hair in a chaostic state like that? Where's the hair stylist? Shawty's a diva not some ghetto hooker. Looks at the way they take care of their best selling artist,I can only say Interscope is an awful lable. When I start my conspirated Hip Hop adventure, I may think twice before hustling my career to you.
Closed off from love I didn’t need the pain Once or twice was enough And it was all in vain Time starts to pass Before you know it you’re frozen
But something happened For the very first time with you My heart melts into the ground Found something true And everyone’s looking round Thinking I’m going crazy
But I don’t care what they say I’m in love with you They try to pull me away But they don’t know the truth My heart’s crippled by the vein That I keep on closing You cut me open and I
Keep bleeding Keep, keep bleeding love I keep bleeding I keep, keep bleeding love Keep bleeding Keep, keep bleeding love You cut me open
Trying hard not to hear But they talk so loud Their piercing sounds fill my ears Try to fill me with doubt Yet I know that the goal Is to keep me from falling
But nothing’s greater Than the rush that comes with your embrace And in this world of loneliness I see your face Yet everyone around me Thinks that I’m going crazy, maybe, maybe
But I don’t care what they say
I’m in love with you They try to pull me away But they don’t know the truth My heart’s crippled by the vein That I keep on closing You cut me open and I
Keep bleeding Keep, keep bleeding love I keep bleeding I keep, keep bleeding love Keep bleeding Keep, keep bleeding love You cut me open
And it’s draining all of me Oh they find it hard to believe I’ll be wearing these scars For everyone to see
I don’t care what they say I’m in love with you They try to pull me away But they don’t know the truth My heart’s crippled by the vein That I keep on closing You cut me open and I
Keep bleeding Keep, keep bleeding love I keep bleeding I keep, keep bleeding love Keep bleeding Keep, keep bleeding love You cut me open and I
Keep bleeding Keep, keep bleeding love I keep bleeding I keep, keep bleeding love Keep bleeding Keep, keep bleeding love You cut me open and I Keep bleeding Keep, keep bleeding love
